
|

|

|
Images that we created together by hand for a series on
the emergence of the feminine impulse
Growing frustrated with the limitations and the essential
sameness of computer generated effects, and having discovered that we
work very compatibly, June and I started exploring whether we could
develop hand-drawn pieces by working on them together. We allow the
images to grow spontaneously after an agreement on the general direction
of the graphic, passing the drawing back and forth from NYC to NM, each
of us adding and integrating elements until a final gestalt emerges.
|
 |
 |
Images created on the computer from scanning my landscapes
and book covers
Over the years June and I have collaborated in creating a number of
images for specific purposes. We generated a line of sacred greeting
cards using my hand-drawn graphix as a basis for June’s elegant
computer modulation. June also created the intriguing cover for the
first edition of my 1993 book, ‘Dolphins, Telepathy & Underwater
Birthing’ for Bear & Company, subsequently republished in
2001 by Origin Press with the new title of ‘Adventures Among Spiritual
Intelligences’.
|
I have always enjoyed collaborating with other artists and
musicians. These are some of the projects I've been involvedwith since the
early eighties.
Please click on the images for further information.

Out-of-the-body Conference
With The Future Studies Research Group
|

Invitation sent to 200 carefully selected people.
(Were you on the list?)
|
Since the late 1980's June Atkin Sanders and I have worked
together on a number of projects
|

|
Images created for a amimated video
The Path of the Rainbow Serpent is a double CD set of 19 spoken-word
pieces, almost all of which I received in a particularly prolific period
in the 1980s. They were so raw and psychically tender that I’ve
hesitated to get them out there for the last 20 years.
Finally, meeting Jim Wilson and hearing he’d worked musically
with spoken word material from Timothy Leary and Alan Ginsberg, as well
as his wonderful TULKU series of CDs, I felt encouraged to collaborate
with him. Jim’s mastership of the technique of sampling has added
another dimension to the work, embedding further layers of rhythmic
and tonal insights.
|

|
Video animation collaboration with videographer,
Flame Schon.
The Helianx Awakens is a short animated video which illustrates
a prose poem I received in the mid-1980s as I sat in a small hotel room
in Cuzco, Peru.
For some years I’d been looking for a videographer who might be
able to take on The Helianx Proposition, a much longer and more complex
challenge. When I met Flame Schon in 2004 we agreed to work first on
a shorter piece, to see how we were able to collaborate. It turned out
better than I could have expected. The Helianx Awakens is that piece. |
 |
The Helianx Proposition is a 32-minute animated DVD using
the hand-drawn pages of the book as a starting point. Related by the author
on top of a mesa in New Mexico, and animated by videographer, Flame Schon,
it draws on the persistent stories in human prehistory of intelligent
dragons, Rainbow and Feathered Serpents. It also proposes the ongoing
presence of an extraterrestrial entity so deeply embedded in the biosphere
as to have gone largely unnoticed in the course of human history. |
| |
|